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alexander rączka
Menace 2 Society , Alexander Rączka X Samopal Books ,
2024
17,6 cm x 25 cm
44 pages
black and white , including color pages
riso , hp indigo
signed and numbered
120 copies
Coloring book including drawings from 2024. Printed and manufactured in Italy.
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Menace 2 Society Tee , Alexander Rączka X Samopal Books , 2024
Heavy cotton
Available in L size only
Hand made in Paris
Limited edition
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20 cm x 28 cm
48 pages
color
riso
signed and numbered
100 copies
Orignal reproductions of felt pen drawings from 2021.
Hand printed and manufactured in Paris. All copies are signed and numbered.
Pirate Bay , Alexander Rączka , 2023
21 cm x 29 cm
112 pages
black and white / color cover
xerox and riso printed
signed and numbered
20 copies
Handmade book including black and white reproduction of drawings from 2022 and 2023.
A selection of sketches done with ball pen, ink, and marker on paper.
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Palaios Lithos , Alexander Rączka , 2021
42 cm x 29, 7 cm
24 pages
black and white / color cover
riso
signed and numbered
50 copies
Palaios Lithos is a research, archaeology and anthropology project.
It has its roots in the desire to archive and preserve the engravings,
«scratches» present in the Parisian public transport system.
This publication features fac-similes of monoprints from parisian engravings
in the public transpots.
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Party is over , Alexander Rączka , 2023
21 cm x 29, 7 cm
32 pages
color
xerox, hand painted prints, mixed techniques
signed and dated
unique artwork
Party is over displays various painted prints, archives and collages. Two unique versions , with a hand painted print cover, available in red or bronze.
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Crack of Dawn , Alexander Rączka , Anatole Abitbol 2024
19, 5 cm x 26, 5 cm
90 pages
soft cover
color
offset
500 copies
graphic design : Célestine Claudin
For nearly three years, the authors frequented a flood shelter in the Porte du Point-du-Jour between
Boulogne-Billancourt and Paris.
This dock was inhabited and then succumbed to a fire that deserted the area.
Crack of Dawn tells the story of Alexander Rączka and
Anatole Abitbol’s return to the site after its destruction,
their final intervention, the ghost-paintings they deposited there on the charred walls,
a dialogue with emptiness and absence.
Text in English and French.